
My first encounter with Enya was an MTV video of "Orinoco Flow", soon followed by "Caribbean Blue". I found the tunes to be catchy, and, though the lyrics seemed to lack real substance, they *sounded* good. I purchased "Watermark" and "Shepherd Moons" soon after, and have since added "A Day Without Rain" and "Amarantine" as well.
The first thing to note about Enya is that a fair number of their songs - "Na Laetha Geal M'Oige", "Smaointe", "Deora Ar Mo Chroi" - are in Irish, which language I do not know. A number of the rest - "Cursum Perficio", "Afer Ventus", "Tempus Vernum" - are in Latin, and though I took two years of that in college, that was more than forty years ago, and I haven't exactly kept up. So, that's about 20% of their output which might as well be instrumentals, as far as I'm concerned. The human voice is one of the most flexible musical instruments there is, of course.
In general, then - and this includes Enya's English language work - what attracts me is simply the sound. The formal pace of "Flora's Secret", the somehow threatening tones of "Tempus Vernum", the geographical rhymes of "Orinoco Flow" - these are enough to please me, whether I understand the words or not.
Enya is my go-to singer for the times when I just want to close my eyes, lie back, and let beautiful sound just wash over me.