In the last couple of days, I've finished In the Bleak Midwinter, Jurgen, and Brief Lives. The next fiction on the list is John Barnes' A Million Open Doors.
I am told that one of the pleasures of reading in the mystery genre is the intellectual one of picking up on the author's clues and working out what is going on before The Great Reveal. Alas, this pleasure is one I rarely achieve. There have been exactly two occasions on which I've been able to figure things out ahead of time - both, oddly, science-fictional mysteries - and in both cases my pride was rather dashed, later, by reviews which sniffed that the secret was telegraphed early on. Thus, in evaluating a mystery, I must fall back on such mundanities as plot, characterization, and dialog. I am pleased to report that Julia Spencer-Fleming's In the Bleak Midwinter scores well in these respects. (I leave to others to say whether it also succeeds as an intellectual puzzle.)
( In the Bleak Midwinter )
I am told that one of the pleasures of reading in the mystery genre is the intellectual one of picking up on the author's clues and working out what is going on before The Great Reveal. Alas, this pleasure is one I rarely achieve. There have been exactly two occasions on which I've been able to figure things out ahead of time - both, oddly, science-fictional mysteries - and in both cases my pride was rather dashed, later, by reviews which sniffed that the secret was telegraphed early on. Thus, in evaluating a mystery, I must fall back on such mundanities as plot, characterization, and dialog. I am pleased to report that Julia Spencer-Fleming's In the Bleak Midwinter scores well in these respects. (I leave to others to say whether it also succeeds as an intellectual puzzle.)
( In the Bleak Midwinter )